I Asked the Doctor to Abort This Monster

Fri Apr 03 2026 00:00:00 GMT+0800 (China Standard Time)

My name is Stella Burton. After being reborn, I rushed to the hospital immediately and asked the doctor to help me abort the boy in my belly. In my previous life, I was married to my husband Joseph Griffin for five years without having any children. Suddenly, I was found to be pregnant with twins. However, the doctor told me the fetuses were too large, and I had to reduce one, or my life would be in danger. While I was struggling with whether to have the surgery, I suddenly heard the boy's voice from my belly. He said in his heart, "Mom, quickly get rid of my sister. She's been absorbing my nutrients in the womb and is about to drain me to death." "She's not my real sister at all. She's Freya and Dad's child, transferred into your womb using dark magic. When she drains me to death, you'll treat her as your own daughter, and by then, all the family assets will be theirs." Hearing this, I immediately went to the hospital and aborted the girl, keeping the boy. But on the day I gave birth, the child in my belly struggled desperately, punching and kicking me inside, causing me to bleed to death. Before I died, I heard his thoughts again, "This stupid woman actually believed me and aborted her own daughter. Hurry up and die, don't stand in my way of seeing Mom and Dad." When I opened my eyes again, I saw Freya Williams sitting in front of me, suggesting I quickly undergo a fetal reduction surgery.

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Storyline of I Asked the Doctor to Abort This Monster

Twisted Rebirth, Twisted Truths

This gripping narrative redefines the xianxia-reincarnation trope by anchoring supernatural revelation in visceral maternal trauma. Stella Burton’s second chance isn’t a reset—it’s a forensic replay of betrayal disguised as salvation. The core twist hinges on ontological deception: the “voice” from the womb isn’t fetal consciousness but a parasitic consciousness implanted via dark magic—blurring lines between biology, sorcery, and psychological manipulation.

The Dual-Reality Structure

I Asked the Doctor to Abort This Monster employs a mirrored narrative architecture: Life One ends with Stella’s death *after* trusting the boy’s lie; Life Two begins with Freya’s identical surgical suggestion—forcing Stella (and the audience) to question whether history repeats or perception shifts. Time doesn’t loop—it fractures, revealing causality as illusionary when magic controls memory and biology alike.

Moral Ambiguity as Worldbuilding

The world operates on layered metaphysical rules: soul transfer, nutrient-based fetal hierarchy, and inheritance-bound dark rituals. Crucially, morality isn’t absolute—the “monster” is both perpetrator *and* product of systemic corruption. Stella’s agency emerges not through vengeance, but through epistemic resistance: choosing doubt over divine-sounding voices. I Asked the Doctor to Abort This Monster challenges viewers to interrogate whose voice we privilege—and why. Ready to unravel the next layer? Download the FreeDrama App now.

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